33rd Annual Entertainment Law Institute (2024)

33rd Annual

PRESENTED BY
The University of Texas School of Law
Texas Entertainment and Sports Law Section of the State Bar of Texas
Austin Nov 9-10, 2023 AT&T Conference Center
Conference Concluded
Live Webcast Nov 9-10, 2023
Conference Concluded
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Related products: eConference Materials

NETWORKING BREAK SPONSORS
Jackson Walker LLP
SXSW

INSTITUTE SPONSOR
Bell Nunnally

Download Brochure (PDF)

Overview

Don't miss the 33rd AnnualEntertainment Law Institute (ELI), now co-sponsored by The University of Texas School of Law and the Entertainment and Sports Law Section of the State Bar of Texas. ELI continues to bring together an outstanding faculty of nationally-regarded practitioners and industry insiders to keep entertainment lawyers up to date on the latest emerging trends, issues and breaking developments in music, film, games, and digital media.

Are you a 1st or 2nd year attorney?
Attend for just $195! Call 512.475.6700 to register.

Join us a day early forEntertainment Law 101—a perfect overview for new entrants to the field, or a refresher for more seasoned practitioners. Learn what it takes to become a sports lawyer, understand the ins and outs of running an independent music business, gain the essentials of copyright and trademark law for working in the arts, and more.

WEDNESDAY ELI WELCOME EVENT!
Following the 101 program, join TESLAW at Scholz's Biergarten and Bowling Alley for food, fun and bowling! Free for

ALL

conference attendees and faculty. Further details will be provided closer to the event.

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Event Schedule

Program is subject to change.
All times are Central Time Zone.

  • Day 1 November 9, 2023
  • Day 2 November 10, 2023
  • Time

    Credit

    Subject

    Speaker

  • Thursday Morning, Nov. 9, 2023

    Presiding Officer:
    Amy E. Mitchell, Amy E. Mitchell, PLLC - Austin, TX

  • 7:30 am

    Registration Opens

    Includes continental breakfast.

  • 8:20 am

    Welcoming Remarks

  • 8:30 am

    1.00 hr
    0.25 hr ethics

    Name, Image, and Likeness (NIL) in College Sports, Year Three

    A discussion of where things stand in the world of NIL and where they could be headed. Topics include NCAA policy, state and federal legislation, IRS and tax issues, international student-athletes, donor collectives, group licensing, and more.

    Moderator:
    Daniel Hare, Varsity Search and Baylor University - Waco, TX
    Panelists:
    Jeremy M. Evans, California Sports Lawyer - Newport Beach, CA
    Jessica Presnall, Big 12 Conference - Irving, TX

  • 9:30 am

    0.75 hr

    On The Road Again: Legal Issues with Music Touring

    Whether they’re taking an Econoline van or a Gulfstream private jet, your music clients are bound to have questions relating to their tours. From insurance coverage to crew agreements to immigration issues and more, discover what you need to know to advise your clients properly.

    Stephen Henderson, Cassels Brock & Blackwell LLP - Toronto, ON
    Vikram O. Kadiri, Bell Nunnally & Martin LLP - Dallas, TX
    David Shotts, Marsh McLennan Agency - Dallas, TX

  • 10:15 am

    15-Minute Break

  • 10:30 am

    1.00 hr
    0.25 hr ethics

    Case Law Update

    An annual roundup of notable court rulings, including Texas judicial decisions, that impact the practice of entertainment law.

    Stan Soocher, Entertainment Law & Finance - Denver, CO

  • 11:30 am

    0.75 hr

    Intro to AI: Registering Works that Incorporate Artificial Intelligence

    The last year has seen a dramatic expansion in the use of generative AI technologies, which has prompted questions about the copyrightability of AI-generated works. Get up to speed on the U.S. Copyright Office’s AI initiative, walk through the Office’s views on registering works generated in whole or in part by AI, and answer some frequently asked questions.

    John R. Riley, U.S. Copyright Office - Washington, DC

  • 12:15 pm

    0.25 hr ethics

    Chatting ChatGPT

    Get a fast-paced introduction to emerging AI technologies that lawyers need to know about, including a demonstration of these breakthroughs with a focus on the risks of using these technologies without understanding how they work.

    Stephen Henderson, Cassels Brock & Blackwell LLP - Toronto, ON
    Brent A. Turman, Bell Nunnally - Dallas, TX

  • 12:30 pm
    Austin Only

    Pick Up Lunch (in Austin)

    Included in registration.

  • Thursday Afternoon, Nov. 9, 2023

    Presiding Officer:
    Gwendolyn Seale, Mike Tolleson and Associates - Austin, TX

  • TEXAS STAR AWARD AND LUNCHEON PRESENTATION

  • 12:50 pm

    Texas Star Award Presentation

  • 1:00 pm

    0.75 hr

    Legal and Business Concerns in True Crime Podcasting

    Gordon Firemark, The Podcast Lawyer™ provides an in-depth analysis of the legal landscape, issues and considerations that arise when producing true crime podcasts, including intellectual property, plagiarism, defamation, privacy concerns, and more. Gain valuable insights that can be applied to your practice and clients in the podcasting industry.

    Gordon P. Firemark, Law Offices of Gordon P. Firemark - Los Angeles, CA

  • 1:45 pm

    15-Minute Break

  • 2:00 pm

    1.00 hr
    0.25 hr ethics

    Protecting an Artist’s Legacy with Estate and Intellectual Property Succession Planning

    Discover the untold consequences of neglecting estate and IP succession planning as a recording artist/songwriter and delve into the complex web of copyrights, trademarks, and publicity rights arising posthumously. Hear practical steps and real-world examples to make a plan and to tackle a failure to plan.

    Tamera H. Bennett, Bennett Law Office, PC - Lewisville, TX
    Daniel L. White, Ward White PLLC - McKinney, TX

  • 3:00 pm

    1.00 hr
    0.50 hr ethics

    Tales from the Trenches: Recurring Litigation Practice Minefields in Entertainment Law Cases

    Enjoy tales of litigation in entertainment and media cases including net profits in motion pictures and TV, theft of idea and copyright infringement cases, libel, and class actions against record companies, talent unions and movie studios.

    Moderator:
    Stan Soocher, Entertainment Law & Finance - Denver, CO
    Panelist:
    Neville L. Johnson, Johnson & Johnson LLP - Beverly Hills, CA

  • 4:00 pm

    Adjourn to Networking Reception

    Join us for drinks and hors d'oeuvres with program faculty and attendees.

  • Time

    Credit

    Subject

    Speaker

  • Friday Morning, Nov. 10, 2023

    Presiding Officer:
    Brent A. Turman, Bell Nunnally - Dallas, TX

  • 8:00 am

    Conference Room Opens

    Includes continental breakfast.

  • 8:30 am

    1.00 hr

    LIVE EDITION! Entertainment Law Update Podcast

    Join us for a special live edition of the Entertainment Law Update Podcast, where you'll get an exclusive behind-the-scenes look as co-hosts Tamera Bennett and Gordon Firemark produce the November episode of our groundbreaking podcast. Don't miss this unique opportunity to see the magic happen and stay up-to-date on the latest legal developments in the entertainment industry!

    Tamera H. Bennett, Bennett Law Office, PC - Lewisville, TX
    Gordon P. Firemark, Law Offices of Gordon P. Firemark - Los Angeles, CA

  • 9:30 am

    1.00 hr

    Drafting Fair Use, Defamation and Other Rights Clearance Opinion Letters for Your Productions

    What do clearance attorneys need to think about when drafting opinion letters regarding rights issues for their clients? Hear from an expert who has written rights clearance opinion letters for hundreds of projects, ranging from true crime documentaries to scripted films based on or inspired by true stories. Learn what clients, insurance companies, distributors and other stakeholders come to expect when reviewing an opinion letter for films and television programs.

    Christopher Perez, Donaldson Callif Perez LLP - Los Angeles, CA

  • 10:30 am

    15-Minute Break

  • 10:45 am

    1.00 hr

    Navigating the Complexities of Copyright Termination and Recapture Rights

    The realm of termination and recapture rights under the U.S. Copyright Act presents a labyrinth full of pitfalls for practitioners which can result in their clients losing their "second bite at the apple." Hear an overview of Sections 203 and 304 of the Copyright Act, discuss the termination process in the context of music from providing notice to potentially settling and negotiating new deals with publishers and labels, and examine the results of recent court cases in this ever-evolving area of copyright law practice.

    Adam Rich, Davis Wright Tremaine LLP - New York, NY
    Gwendolyn Seale, Mike Tolleson and Associates - Austin, TX

  • Friday Afternoon, Nov. 10, 2023

    Presiding Officer:
    Amy E. Mitchell, Amy E. Mitchell, PLLC - Austin, TX

  • 11:45 am
    Austin Only

    NETWORKING LUNCH AND MENTORSHIP OPPORTUNITY
    (In Austin Only)

    Network with colleagues and converse with conference faculty and other entertainment law experts in multiple practice areas and firm sizes. Lunch is included in registration.

  • 1:00 pm

    1.00 hr
    0.50 hr ethics

    Navigating the Minefield of AI-Generated Content

    The spread of generative artificial intelligence has raised a host of questions in areas of law spanning copyright, right of publicity, privacy and others.Hear perspectives on those emerging questions and where the law may be headed.

    Moderator:
    Ken Pajak, Pajak Law, PLLC - Austin, TX
    Panelist:
    Sy Damle, Latham & Watkins LLP - Washington, DC
    Ken Doroshow, Recording Industry Association of America - Washington, DC

  • 2:00 pm

    15-Minute Break

  • 2:15 pm

    1.00 hr

    The Impact of Warhol v. Goldsmith: In Conversation with Lynn Goldsmith

    In May of 2023, the US Supreme Court released its landmark decision in Andy Warhol Foundation v. Lynn Goldsmith. Join Lynn Goldsmith herself in conversation with photography attorney Thomas Maddrey, and hear the story behind the case that signals a generational shift in what courts deem "transformational" use.

    Moderator:
    Thomas Maddrey, American Society of Media Photographers - Dallas, TX
    Panelist:
    Lynn Goldsmith, Lynn Goldsmith Photography - Nashville, TN

  • 3:15 pm

    1.00 hr
    0.25 hr ethics

    Everything’s Bigger in Texas! A Texas Live Event GC Roundtable

    Explore legal issues facing major entertainment events, from the bid process through the after-action report, and look behind the curtain at what goes into the show.

    Moderator:
    Stephen Starks, Live Nation Entertainment - Dallas, TX
    Panelists:
    J. Carlos Kuri, SXSW - Austin, TX
    Monica Paul, Dallas Sports Commission - Dallas, TX

  • 4:15 pm

    Adjourn

  • TESLAW'S TOP EVENT PICK!

    Faculty member, Lynn Goldsmith, will host a photography exhibit at Modern Rocks Gallery on Friday 11/10 from 6:00-9:00 p.m.

  • Day 1 November 9, 2023
  • Day 2 November 10, 2023

Download Schedule

Conference Faculty

Tamera H. Bennett

Bennett Law Office, PC
Lewisville, TX

Sy Damle

Latham & Watkins LLP
Washington, DC

Ken Doroshow

Recording Industry Association of America
Washington, DC

Jeremy M. Evans

California Sports Lawyer
Newport Beach, CA

Gordon P. Firemark

Law Offices of Gordon P. Firemark
Los Angeles, CA

Lynn Goldsmith

Lynn Goldsmith Photography
Nashville, TN

Daniel Hare

Varsity Search and Baylor University
Waco, TX

Stephen Henderson

Cassels Brock & Blackwell LLP
Toronto, ON

Neville L. Johnson

Johnson & Johnson LLP
Beverly Hills, CA

Vikram O. Kadiri

Bell Nunnally & Martin LLP
Dallas, TX

J. Carlos Kuri

SXSW
Austin, TX

Thomas Maddrey

American Society of Media Photographers
Dallas, TX

Ken Pajak

Pajak Law, PLLC
Austin, TX

Monica Paul

Dallas Sports Commission
Dallas, TX

Christopher Perez

Donaldson Callif Perez LLP
Los Angeles, CA

Jessica Presnall

Big 12 Conference
Irving, TX

Adam Rich

Davis Wright Tremaine LLP
New York, NY

John R. Riley

U.S. Copyright Office
Washington, DC

Gwendolyn Seale

Mike Tolleson and Associates
Austin, TX

David Shotts

Marsh McLennan Agency
Dallas, TX

Stan Soocher

Entertainment Law & Finance
Denver, CO

Stephen Starks

Live Nation Entertainment
Dallas, TX

Brent A. Turman

Bell Nunnally
Dallas, TX

Daniel L. White

Ward White PLLC
McKinney, TX

Planning Committee

Amy E. Mitchell—Chair

Amy E. Mitchell, PLLC
Austin, TX

Tamera H. Bennett

Bennett Law Office, PC
Lewisville, TX

Gwendolyn Seale

Mike Tolleson and Associates
Austin, TX

Stan Soocher

Entertainment Law & Finance
Denver, CO

Brent A. Turman

Bell Nunnally
Dallas, TX

Credit Info

  • Austin
  • Live Webcast

MCLE Credit

Toggle view Texas – 12.50 hrs | 2.25 hrs Ethics

You may claim your credit online in Your Briefcase, and UT Law CLE will report credit on your behalf to the State Bar of Texas.A Certificate of Attendance will be provided in Your Briefcase for your records. The system reports Texas CLE credit every Monday.If you are claiming credit in thelast week of your birth month, self-report your CLE credit directly to the State Bar of Texas attexasbar.com

Toggle view California – 12.50 hrs | 2.25 hrs Ethics

At the conference, you will need to sign in on the Record of Attendance form at the registration desk. Self-report your CLE credit directly to the State Bar of California at calbar.ca.gov. You must claim your credit online in Your Briefcase, and will then be provided a Certificate of Attendance for your records. UT Law CLE will maintain Attendance Records for four years.

Toggle view Oklahoma – 15.00 hrs | 2.50 hrs Ethics

At the conference, you will need to sign in on the Record of Attendance form at the registration desk. You must claim your credit online in Your Briefcase, and will then be provided a Certificate of Attendance for your records. UT Law CLE will report credit on your behalf to the Oklahoma Bar Association within 30 days after the conference.

Toggle view Pennsylvania – 12.50 hrs | 2.00 hrs Ethics

UT Law CLE is an approved provider of Pennsylvania credit, sponsor #236.You must claim your credit online in Your Briefcase, and will then be provided a Certificate of Attendance for your records. You may also be required to sign-in at the registration desk if you are attending in-person - please see staff onsite for more details.Attorney attendance will be reported to Pennsylvania within 2 weeks of the webcast conclusion. Attorneys are not able to report this credit on their own, and UT Law CLE pays all associated fees for the credit hours. Contact Laura Tolin,ltolin@law.utexas.edu, if you have additional questions.

Toggle view Other States – 12.50 hrs | 2.25 hrs Ethics

Note on Self-Reporting Your Credits in Another State

If you wish to satisfy MCLE or other professional education requirements in another state for a program offered by the University of Texas School of Law, please check with the state bar or other licensing authority in that state to ensure it will qualify for self-reporting your credits.

At the conference, you will need to sign in on the Record of Attendance form at the registration desk. You must claim your credit online in Your Briefcase, and will then be provided a Certificate of Attendance for your records.

MCLE credit is presented based on a 60-minute credit hour.

Other Credit

Toggle view TX Accounting CPE – 15.00 hrs

The University of Texas School of Law (Provider #250) live conferences are presumptively approved by The Texas State Board of Public Accountancy for Texas Accounting CPE credit based on a 50-minute credit hour. Approved for general CPE credit only.

At the conference, you are welcome to sign in on the Accounting CPE Record of Attendance form at the registration desk, but we are now reporting all credit online. You will receive a Texas Accounting Certificate of Completion in Your Briefcase. Self-report your CPE credit directly to TSBPA. UT Law CLE will maintain Attendance Records for four years.

Contact April Rogers, arogers@law.utexas.edu, if you have additional questions.

MCLE Credit

Toggle view Texas – 12.50 hrs | 2.25 hrs Ethics

UT Law CLE will report credit to the State Bar of Texas on your behalf. If you are claiming credit in the last week of your birth month, self-report your credit directly to the State Bar of Texas at texasbar.com. A Certificate of Completion will be emailed to you upon claiming credit.

Toggle view California – 12.50 hrs | 2.25 hrs Ethics

Self-report your CLE credit directly to the State Bar of California at calbar.ca.gov. Print and keep the Certificate of Completion for your records. A Certificate of Completion will be emailed to you upon claiming credit.

Toggle view Oklahoma – 15.00 hrs | 2.50 hrs Ethics

The University of Texas School of Law (Provider #169) live webcast presentations meet the requirements and are presumptively approved by the Oklahoma Bar Association for MCLE credit based on a 50-minute credit hour. This accreditation requires attendance verification. In compliance with the rules, UT Law CLE monitors and records attendee responses to questions that randomly appear during the live webcast presentation. The response record is detailed on the Certificate of Completion.

To claim Oklahoma MCLE credit, Oklahoma credit option must be selected PRIOR to viewing the live webcast. Upon claiming credit, a Certificate of Completion will be emailed to you. UT Law CLE will report credit on your behalf to the Oklahoma Bar Association within 30 days after the webcast.

Toggle view Pennsylvania – 12.50 hrs | 2.00 hrs Ethics

UT Law CLE is an approved provider of Pennsylvania credit, sponsor #236. Attorney attendance will be reported to Pennsylvania within 2 weeks of the webcast conclusion. Attorneys are not able to report this credit on their own, and UT Law CLE pays all associated fees for the credit hours. Contact Laura Tolin, ltolin@law.utexas.edu, if you have additional questions.

Toggle view Other States – 12.50 hrs | 2.25 hrs Ethics

Note on Self-Reporting Your Credits in Another State

If you wish to satisfy MCLE or other professional education requirements in another state for a program offered by the University of Texas School of Law, please check with the state bar or other licensing authority in that state to ensure it will qualify for self-reporting your credits.

To claim Other States MCLE credit, Other States credit option must be selected PRIOR to viewing the live webcast.You must claim your credit online in Your Briefcase, and will then be provided a Certificate of Attendance for your records.

This accreditation requires attendance verification. UT Law CLE monitors and records attendee responses to questions that randomly appear during the live webcast presentation. The response record is detailed on the Certificate of Completion.

MCLE credit is presented based on a 60-minute credit hour.

Other Credit

Toggle view TX Accounting CPE – 15.00 hrs

The University of Texas School of Law (Provider #250) live webcast presentations meet the requirements and are presumptively approved by the Texas State Board of Public Accountancy for Texas Accounting CPE credit based on a 50-minute credit hour. Approved for general CPE credit only.

This accreditation requires attendance verification. In compliance with the rules, UT Law CLE monitors and records attendee responses to questions that randomly appear during the live webcast presentation. The response record is detailed on the Certificate of Completion.

To claim Texas Accounting CPE credit, the Texas Accounting CPE credit option must be selected PRIOR to viewing the live webcast. Upon claiming credit, a Certificate of Completion will be emailed to you. Self-report your CPE credit directly to the Texas State Board of Public Accountancy.

Contact April Rogers, arogers@law.utexas.edu, if you have additional questions.

Key Dates

Austin – Nov 9-10, 2023 – AT&T Conference Center

Conference Concluded

Live Webcast – Nov 9-10, 2023

Conference Concluded

Buy

  • Austin
  • Live Webcast

Individual
Last day for $595.00 Regular pricing: Nov 3, 2023

$695.00 for registrations received after this time

Small Firm (per person for firms of 5 attorneys or fewer)
Last day for $495.00 Regular pricing: Nov 3, 2023

$595.00 for registrations received after this time

Group (5 registrants minimum)
Last day for $535.00 Regular pricing: Nov 3, 2023

$635.00 for registrations received after this time

Group (10 registrants minimum)
Last day for $475.00 Regular pricing: Nov 3, 2023

$575.00 for registrations received after this time

Last day for cancellation (full refund): Nov 3, 2023

$50 processing fee applied after this date

Last day for cancellation: Nov 6, 2023

Individual
Last day for $595.00 Regular pricing: Oct 25, 2023

$695.00 for registrations received after this time

Small Firm (per person for firms of 5 attorneys or fewer)
Last day for $495.00 Regular pricing: Oct 25, 2023

$695.00 for registrations received after this time

Group (5 registrants minimum)
Last day for $535.00 Regular pricing: Oct 25, 2023

$635.00 for registrations received after this time

Group (10 registrants minimum)
Last day for $475.00 Regular pricing: Oct 25, 2023

$575.00 for registrations received after this time

Last day for cancellation (full refund): Nov 3, 2023

$50 processing fee applied after this date

Last day for cancellation: Nov 6, 2023

Venue

33rd Annual Entertainment Law Institute (6)

The University of Texas at Austin
1900 University Avenue
Austin, TX
877.744.8822 (reservations)
Map

Accommodations

A room block is available at the AC Hotel Austin-University, just a short walk to the AT&T Conference Center. Aspecial room rate of $249 is available until October 23rd, or until the room block is exhausted, whichever comes first. You can reserve your room by visiting their website here.

Parking Information

Parking is available in the conference center'sattached garage, as well asRowling Hall Garage. Both garage entrances are located on W 20th St. Guests may self-park or use the hotel's valet services at the University Avenue entrance. Parking rates are subject to change without notice.

Self-parking fees:

Hourly Parking:
0-30 minutes, $3
31-60 minutes, $4
1– 2 hours, $6
2– 3 hours, $9
3– 4 hours, $12
4– 5 hours, $15
5– 8 hours, $18
8– 24 hours, $21

Valet Parking Rates:
Daily valet: $21

Our Sponsors

Thank you to our sponsors! Click each logo below to learn more.

  • 33rd Annual Entertainment Law Institute (7)

    Jackson Walker LLP

    As part of the largest law firm in Texas, Jackson Walker’s Entertainment Group leverages both its years of experience and full-service resources to provide clients with valued advice that relates to multiple disciplines of the entertainment industry. Clients turn to Jackson Walker because they are looking for creative, insightful attorneys who combine business acumen, legal experience, and vision to guide them through known and unexplored commercial and legal landscapes. This cutting-edge advice requires unique market insights as to what is driving the various sectors within the Entertainment industry, but also legal acuity to know what today’s key issues are and to anticipate future opportunities and challenges.

    www.jw.com

  • 33rd Annual Entertainment Law Institute (8)

  • Bell Nunnally

    Bell Nunnally

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33rd Annual  Entertainment Law Institute (2024)

FAQs

Is entertainment law federal or state? ›

Laws that impact the entertainment industry include federal and state laws, rules created by government agencies, and common law legal precedents created by the courts.

Is entertainment law civil law? ›

Within these industries, entertainment law covers a variety of legal areas. Including, but not limited to, business law, intellectual property law, defamation, contract law, advertising, civil litigation, and labor and employment law.

What are the basics of entertainment law? ›

Entertainment law, also referred to as media law, is legal services provided to the entertainment industry. These services in entertainment law overlap with intellectual property law. Intellectual property has many moving parts that include trademarks, copyright, and the "right of publicity".

What are entertainment laws in India? ›

Copyright Act 1957 and Trademark Act 1999 are enacted to protect intellectual properties and rights. Punishment for the offence of defamation and religious sentiments is dealt with under the Indian Penal Code 1860. The following are emerging issues in Entertainment Law.

Is entertainment law stressful? ›

It is unusual to find entertainment transactional attorneys who hate the actual work. However, time pressure and tight budgets, and clients under pressure from those factors, can create significant stress for attorneys.

Is entertainment law profitable? ›

High Earning Potential: Entertainment lawyers in Hollywood often have the potential to earn significant salaries. This is due to the high-value contracts, negotiations, and intellectual property matters they handle for high-profile clients, including celebrities, production companies, and major studios.

Is entertainment law the same as intellectual property law? ›

Intellectual property is not the same as entertainment law, but it is similar and there is some overlap between the two disciplines. Entertainment law attorneys can help protect your intellectual property rights as well as help you set up methods to protect your property from would-be thieves.

Why do celebrities need lawyers? ›

Entertainment lawyers strive to protect their clients' rights, argue for fair compensation, and help them navigate the industry's often-complicated landscape.

What is the purpose of an entertainment lawyer? ›

“An 'entertainment attorney' works on a variety of practices within entertainment.” Those practices include labor and employment law, technology law, corporate and finance, dispute resolution, and intellectual property law. They may also include tax, trust and estates, family law, and even criminal law.

What are the five main things that an entertainment lawyer does? ›

What does an entertainment lawyer do?
  • Assisting with the negotiation process for entertainment contracts.
  • Drafting deal and payment agreements regarding bookings or events.
  • Advising clients on legal matters and answering questions related to the entertainment industry.
  • Establishing intellectual property rights for clients.
Jun 24, 2022

What type of law is entertainment law? ›

Entertainment law is a dynamic and multifaceted legal field, often attracting legal professionals and creatives alike. It's the intersection of art, entertainment, and law, where contracts, copyrights, and intellectual property rights take center stage.

What are the topics of entertainment law paper? ›

Entertainment Law Topics
  • Entertainment Law Center.
  • Music Royalties Under Copyright Law.
  • Film Production Unions & Legal Implications of Membership.
  • Film Production Services Agreements & Legal Considerations.
  • Talent Representation Agreements & Legal Considerations.
  • Publicity Rights Under State Laws.
  • Video Game Law.
Jul 10, 2023

What are entertainment laws in USA? ›

Entertainment law encompasses legal areas such as copyright, trademark, contract, multimedia law, intellectual property, and book publishing. Related areas of law include First Amendment law, telecommunications law, sports law, and all areas of intellectual property law.

What is the act of entertainment? ›

the act of entertaining; entertaining; agreeable occupation for the mind; diversion; amusem*nt: Solving the daily crossword puzzle is an entertainment for many. something affording pleasure, diversion, or amusem*nt, especially a performance of some kind: The highlight of the ball was an elaborate entertainment.

What is the Entertainment Industry Act 1989? ›

The NSW Government regulates agents, managers and venue consultants through the Entertainment Industry Act 1989. The Act was bought into force in response to practices in the entertainment industry that made performers vulnerable to unscrupulous or unprofessional dealings.

What is an example of a federal law vs state law? ›

While state law tends to address the nitty-gritty of what you can and can't do, federal law usually covers more broad topics like immigration law, social security, civil rights law, and federal criminal laws (drug trafficking, money counterfeiting, etc.).

What is entertainment considered as? ›

Entertainment is a form of activity that holds the attention and interest of an audience or gives pleasure and delight. It can be an idea or a task, but it is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention.

Are acts federal statutes? ›

When a bill is passed in identical form by both the Senate and the House, it is sent to the president for his signature. If the president signs the bill, it becomes a law. Laws are also known as Acts of Congress. Statute is another word that is used interchangeably with law.

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